For your fame has reached broad heaven itself, like that of some illustrious king."(Page 289,Book 19, The Odyssey) Penelope played one of the most vital roles in Homer's timeless classic ‘The Odyssey’, as both Odysseus's patient and loving wife and as the Queen of Ithaca.
Upon examining the text of the Odyssey for differential treatment on men and women, it becomes necessary to distinguish between three possible conclusions. One, differences in treatment reflect the underlying Homeric thesis that women are "different but equal in nature," Two, different treatment of men and women in the text reflect a thesis that women are "different and unequal in nature" -- arguments about misogyny fall in here but a host of other interpretive possibilities are possible too....
- Epic Poetry essays discuss one of the oldest forms of poetry that tells a story, or narrative. - Odyssey and The Wizard of Oz research papers discuss both novels as they relate to archetypal themes. - Greek Mythology research papers focus on the Gods of Ancient Greece in literature by poets such as Homer.
Homer’s The Odyssey demonstrated man’s attempt to cope with their own nature through the illusion of the gods, by using them to carry their burdens of hopelessness, helplessness, and fallibility.
I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?" "The Odyssey" was written around 700 BC during the Archaic period (750 – 550 BC).
He first shows his caring nature to Hrothgar when he first arrived when hearing of Grendle and his terroriz
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As one of the few representatives of ancient Greek social order, the blind, Homer witnessed women as substandard to men, regardless of their actions; many of them existed as seductresses, prostitutes, or slaves....
The swineherd is not the only character that Homer uses to show loyalty, Penelope and Telemachus show unyielding faithfulness to Odysseus throughout the epic poem; as do many other characters even gods.
However, certain locations, just as in the Iliad, in Iphigeneia are supported by while others are not. Troy, certainly existed, it was a known historic place to both authors. So too was the case with Delphi and Argos, both of which are part of Iphigeneia, and the Temple of Artemis.
As with the Homeric errors in the specifics of time, Euripides can be forgiven similar omissions of accuracy as a result of the necessity to form a coherent story. Surely, the accuracy of historic reporting when put into the framework of a play based upon mythic metaphor can be given that much.