AESOPIC LANGUAGE: In Russian criticism, the name for oppositional political writing hidden in circumlocution, fables, and vague references so that it can bypass official censorship (Harkins 1). The term refers to Aesop's Fabula, a collection of beast fables in which simple stories about animals contained morals or messages "between the lines," so to speak. The coinage of the term comes from Saltykov, who is both the first to use the term in this sense and the one whom many modern Russian critics consider the best example of such writings (Harkins 1).
ANTICATHOLICISM: Literature or rhetoric created (often by Protestants) for the purpose of countering Catholic doctrine or depicting Catholicism in a negative light. In Reformation and Post-Reformation British literature, anticatholic motifs frequently appear after the Anglican Church splits from Rome under Henry VIII. Examples include Spenser's Faerie Queene, in which Catholic associations surround villains like Duessa and Archimago. A similar surge of anticatholic characterizations appear just before and during the Enlightenment period, notably in Gothic literature like Lewis' The Monk, in which convents and monasteries are depicted as hypocritical hives of sadism and superstition.
However, unlike the conventional narratological pattern of most autobiographies (first person, past tense), the narrator in Boyhood is an omniscient third person one, speaking in the present tense.
Whilst A Narrative of the Life of James Albert Ukawsaw Gronniosaw written by himself, (For the purpose of this essay described as, ‘A Narrative.’) is an autobiographical, spiritual account of Gronniosaw’s travels.