This essay will discuss the possible standards of Joe and Roy implied in the play, “Angels in America” by Tony Kushner, while discussing how they can be both valuable and questionable....
Whereas the 1920s had the Joads of John Steinbeck’s The Grapes of Wrath to put a face on the saintly white poor, struggling with dignity, Sirk’s Sarah Jane shows there’s little sympathy for black folks in America. Both of Reagan’s famous examples were implicitly coded as black, and even a sympathetic 1996 cover from the liberal magazine The New Republic the welfare mother as African-American, smoking a cigarette while her infant nurses on bottled milk beside her. For the mag, it might have ironically commented upon an unfortunate cliché, but for others, it was simply a representation of the truth.
Steinbeck Country. If you have ever driven the central California coast, from the broad yellow valleys of Salinas, through rolling green hills of farmland to the slick, fog-draped streets of Monterey, then you have been there. That part of California is so closely associated with John Steinbeck's novels and stories that even today Monterey County and its towns proudly advertise their connections to the famous writer, who was born and buried in the farm town of Salinas.
Of course, Steinbeck's perspective was far wider—and his legacy is far greater—than simple depictions of the Monterey County landscape. Steinbeck's real gift was to see people that the rest of society chose to overlook: defeated refugees of the Dust Bowl, unemployed , cannery workers eking out a living on a factory wage. During his 40-year career, Steinbeck crafted roughly two dozen novels, short story collections and works of nonfiction, and also wrote for Hollywood and the stage. His 1939 novel , a stark depiction of migrant farmers in the Dust Bowl, won the Pulitzer Prize for fiction and is acknowledged as one of the classics of American literature.
In his fiction, plays and travelogues, Steinbeck challenged his readers to look at the harsh realities of life, with the belief that facing such conditions was the first step toward improving them. Steinbeck's strongest belief was in the ability of man to improve his condition. "The ancient commission of the writer has not changed," he said upon accepting his Nobel Prize in 1962. "He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement." By giving voice to voiceless people, John Steinbeck lived up to the challenge he set for himself.
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February of next year is the centennial of Steinbeck’s birth and, along with new Penguin editions of six of his novels, Viking is offering up this collection from the other, lesser-known, side of his career. A lifelong journalist, Steinbeck observed and commented on what he saw around him in essays, letters, and criticism; here is some of the best of it. There’s war writing from England and Vietnam; reflections on his own work, including his Nobel acceptance speech; travel pieces from Italy, France, and Ireland; pieces on Henry Fonda, Adlai Stevenson, and Woody Guthrie. While Steinbeck wanders all over the world, most of the material directly addresses America, including the final section, a reprint of his last, now out-of-print book, the heartfelt .
John Steinbeck had experience of life, as a farm labourer and could be why he chooses to tell the story about George Milton and Lennie Smalls, two ranchmen in Americas South West The story opens with Ranchmen George and Lennie fleeing their old workplace, with Lennie having been accused of rape....
Though best known as a novelist (The Grapes of Wrath, 1939), John Steinbeck was also a prolific journalist and social critic. Much of his writing dealt with the plight of the poor in the United States. His stories allow the reader to question what it means to be American especially during hard times like the Great Depression or times of great social upheaval during the Civil Rights Movement. In the "Paradox and Dream" (from his final book, America and the Americans), Steinbeck examined the values of his fellow citizens. His familiar style (heavy on , light on ) is clearly illustrated here in the opening paragraphs of the essay.